English Update

English Update

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Thursday, 4 May 2017

Diction

Diction
Definition:
Diction is the distinctive tone or tenor of an author’s writings. Diction is not just a writer's choice of words it can include the mood, attitude, dialect and style of writing. Diction is usually judged with reference to the prevailing standards of proper writing and speech and is seen as the mark of quality of the writing. It is also understood as the selection of certain words or phrases that become peculiar to a writer.

Example: Certain writers in the modern day and age use archaic terms such as ‘thy’, ‘thee’ and ‘wherefore’ to imbue a Shakespearean mood to their work.

Wednesday, 3 May 2017

Denotation

Denotation
Definition: Denotation refers to the use of the dictionary definition or literal meaning of a word.
Example: They made a house. In the above sentence, house is meant literally as in a building where a family lives. If the word "home" was used instead in the above sentence in place of "house", the meaning would not be so literal as there are many emotions associated with the word "home" beyond simply the structure where people live.

Tuesday, 2 May 2017

Abasement.

Abasement.
SYN. Degradation, depression, disgrace, humiliation, abjection, dishonor, shame.
ANT. Promotion, elevation, honor, exaltation, dignity, aggrandizement.

Discourse Analysis

Discourse Analysis
Traditional linguists and philosophers of language, as well as literary students of style and stylistics, have typically focused their analyses on isolated units of language the sentence, or even single words, phrases, and figures in abstraction from the specific circumstances of an utterance. Discourse analysis, on the other hand, as inaugurated in the 1970s, concerns itself with the use of language in a running discourse, continued over a sequence of sentences, and involving the interaction of speaker (or writer) and auditor (or reader) in a specific situational context, and within a framework of social and cultural conventions. Emphasis on discourse as occurring within specific cultural conditions and under particular circumstances derives from a number of investigators and areas of research, including the work of Hans-Georg Gadamer in hermeneutics, the concern of Michel Foucault with the institutional conditions and power- structures that serve to make given statements accepted as authoritative or true, and the work of Clifford Geertz and other cultural anthropologists on the rootedness of linguistic and other meanings in the social forms and practices specific to a cultural community. (See the above writers, under interpretation and hermeneutics and new historicism.) The current use of discourse analysis in literary studies was given special impetus by the speech-act philosopher H. P. Grice, who in 1975 coined the term implicature to account for indirection in discourse; for example, to explain how we are able to identify the illocutionary force of an utterance that lacks an explicit indicator of its illocutionary intention. Thus, how can we account for the fact that the utterance, "Can you pass the salt?" although it is in the syntactical form of a question, can be used by the speaker, and correctly understood by the hearer, as a polite form of request? (H. P. Grice, "Logic and Conversation," 1975, reprinted in his Studies in the Way of Words, 1989.) Grice proposed that users of a language share a set of implicit expectations which he calls the "communicative presumption"—for example, that an utterance is intended by a speaker to be true, clear, and above all relevant. If an utterance seems purposely to violate these expectations, we seek to make sense of it by transferring it to a context in which it is clearly appropriate. Other language theorists have continued Grice's analysis of the collective assumptions that help to make utterances meaningful and intelligible, and serve also to make a sustained dis- course a coherent development of signification instead of a mere collocation of independent sentences. One such assumption is that the hearer shares with the speaker (or the reader shares with the writer) a large body of nonlinguistic knowledge and experience; another is that the speaker is using language in a way that is intentional, purposive, and in accordance with linguistic and cultural conventions; a third is that there is a shared knowledge of the complex ways in which the meaning of a locution varies with the particular situation, as well as with the type of discourse, in which it is uttered.

Sunday, 30 April 2017

Abasement

Abasement.
SYN. Degradation, de- pression, disgrace, humiliation, ab- jection, dishonor, shame.
ANT. Promotion, elevation, honor, exaltation, dignity, aggrandizement.

Catharsis

Catharsis
Definition: Catharsis is the emotional arouse which makes pity and fear to the audiences after watching the end of tragedy.

Saturday, 29 April 2017

Abase

abase
SYN. Degrade,disgrace, bring low, reduce, humble, demean, stoop, humiliate, depress, lower, sink, dishonor.
ANT. Promote, exalt, honor, raise, elevate, dignify, aggrandize.

Concrete and Abstract

Concrete and Abstract

Definition:
In standard philosophical usage a "concrete term" is a word that denotes a particular person or physical object, and an "abstract term" denotes either a class of things or else (as in "brightness," "beauty," "evil," "despair") qualities that exist only as attributes of particular persons or things. A sentence, accordingly, is said to be concrete if it makes an assertion about a particular subject (T. S. Eliot's "Grishkin is nice ..."), and abstract if it makes an assertion about an abstract subject (Alexander Pope's "Hope springs eternal in the human breast"). Critics of literature, however, often use these terms in an extended way: a passage is called abstract if it represents its subject matter in general or no sensuous words or with only a thin realization of its experienced qualities; it is called concrete if it represents its subject matter with striking particularity and sensuous detail. In his "Ode to Psyche" (1820) John Keats' ' Mid hush'd, cool-rooted flowers, fragrant-eyed, Blue, silver-white, and budded Tyrian is a concrete description of a locale which intervolves qualities that are perceived by four different senses: hearing, touch, sight, and smell. And in the opening of his 'Ode to a Nightingale," Keats communicates concretely, by a combination of literal and figurative language, how it feels, in physical detail, to experience the full-throated song of the nightingale: My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains ... It is frequently asserted that "poetry is concrete," or, as John Crowe Ransom put it in The World's Body (1938), that its proper subject is "the rich, contin- gent materiality of things." Most poetry is certainly more concrete than other modes of language, especially in its use of imagery. It should be kept in mind, however, that poets do not hesitate to use abstract language when the area of reference or artistic purpose calls for it. Keats, though he was one of the most concrete of poets, began Endymion with a sentence composed of abstract terms: A thing of beauty is a joy forever: Its loveliness increases; it will never Pass into nothingness; ... And some of the most moving and memorable passages in poetry are not concrete; for example, the statement about God in Dante's Paradiso, "In His will is our peace," or the bleak comment by Edgar in the last act of King Lear, Men must endure Their going hence, even as their coming hither; Ripeness is all.

Friday, 28 April 2017

Comic Relief

Comic Relief

Definition:
A Comic Relief is the introduction of comic characters, speeches, or scenes in a serious or tragic work, especially in dramas. Such elements were almost universal in Elizabethan tragedy. Sometimes they occur merely as episodes of dialogue or horseplay for purposes of alleviating tension and adding variety; in more carefully wrought plays, however, they are also integrated with the plot, in a way that counterpoints and enhances the serious or tragic significance.
Example:
Examples of such complex uses of comic elements are the gravediggers in Hamlet (V. L), the scene of the drunken porter after the murder of the king in Macbeth (II. iii.), the Falstaff scenes in 1 Henry IV, and the roles of Mercurio and the old nurse in Romeo and Juliet.

Tuesday, 25 April 2017

Aback

aback
SYN. Backwards, rearwards, aft, abaft, astern, behind, back.
ANT. Onwards, forwards, ahead, before, afront, beyond, afore.